TUESDAY - TOKYO 
TOKYO-EDO MUSEUM

We headed back to Tokyo Station to meet Robert for lunch at a ramen place he wanted to try. It is called T's.
It is a vegetarian place. I had a bowl of ramen with chunks of tofu that tasted like meat. It was rather good. Even the big piece of seaweed was okay.
There were large pictures of sumo wrestlers in the Ryogoku Station.
I went to the Edo-Tokyo Museum on my last visit, but it is a good museum.
A kumade, a decorative bamboo rake of fortune.
Here's that reproduction of the main office of the Chōya shinbun again.
You know I just assumed that since I had been to the museum before I had taken a picture of this and noted what it was. Turns out I had not. But thanks to the museum's website I confirmed that it is what I thought it was, a reconstruction of the Nakamura-za kabuki theatre.
A folding screen depicting Tokugawa Ietsuna, the fourth Shogun of the Tokugawa dynasty, on his visit to Hie Sannosha Shrine in 1642.
The sugoroku which showed the wearing procedure of the armor. So basically it's a series of pictures telling how to dress.
Armor and helmet for a child. Seriously, a child's armor? What kind of dynasty were they running?
Swords.
A picture scroll of the shogunate great procession for Kyoto.
A wooden life-sized statue of Tokugawa Ietsuna, the guy from the folding screen earlier.
Ryudosui, tools for extinguishing fire. This one's for you, Nigel.
The sign says that this is a publication of a variety of occupations from 1770. I can't quite tell what the occupations pictured are.
A color woodblock print of a mother and babe of the Edo era.  
A sugoroku depicting the life of the man and woman. A sugoroku is a kind of board game.
This is a full-length historical novel that was read widely as a rental book in the first half of the 19th century. That's almost two hundred years of a library late fee.
A model of a portable shrine for the Kanda Festival.  
While no one came right out and said it, everyone knew that Bruce and Steven were the gayest guys in Japan.
This is a reproduction of a Showa era house. This particular model is set to 1954 when electrical appliances were not yet in common use.
I don't know why the Japanese took so long to catch on to some Western technology like chairs and forks.

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